About a year ago I posted a series of three articles on Tri-Met’s landscapes along the new Orange Line. They were a critical assessment of their design with many photos and explanations for my criticisms. I had a brief correspondence with the project manager after the first two before he stopped responding. I had asked about the maintenance schedule that they had with the contractor who would be doing the work. I did not receive it. Part of the reason was mine, as new ideas came up for me, my interest wavered and I moved on. Still, I’ve never received anything. Now, a year later, I decided to reassess the first portion of the landscape that I wrote about, as it is a section I regularly walk and ride by bike to downtown or to just get out. I would encourage readers to see my previously posted reviews. Continue reading
The landscape is the land we live in. It is the place and the territory that surrounds us: built, disturbed, neglected or purposeful. A garden is a piece of that landscape that we have defined as special, that we have applied our own purpose to, a theme, above and beyond the natural forces at work across its face to grow plants of our choice. Many urban places are feral, once domesticated, now gone to ‘weeds’. A few pockets may be as nature made them, eroding at their edges, surrendering little bits of themselves to exotics tramped in on our boots, the hooves of our horses, the hair of our dogs, floated into place by streams or rivers or flown in by birds and on the wind. Most landscapes exist somewhere on that continuum between undisturbed nature and the wastelands we have left in our wake of disturbance, vacant land waiting in that limbo, land on its way to purpose, value and development. As Portland became urbanized over the last 150+ years the land has been literally transformed, become an expression of our culture, via a matrix of values and forces, that act as a particular and devastating template, a process that is still occurring and will continue to do so as long as value is measured in dollars, and demand, fashion and greed, keep cycling and reinventing this place we have made our home. These in-between places are what French landscape architect, Gilles Clement, calls the Third Landscape. Few areas are they that have escaped this process. The Reed Canyon, that contains most of the headwaters of Crystal Springs Creek (another spring lies within the City Parks owned Crystal Springs Rhododendron Garden), the last of the free flowing such creeks on the east-side, may have been spared the heavy handed re-contouring of its terrain, but it has suffered much over the years anyway. Continue reading
Holgate Overpass Update:
It finally rained this last weekend! Somewhere around .3″. Woohoo! It will be the most rain that we’ve received since March. It’s been dry! In April the City cut down the ‘weedscape’ on the northeast approach of the Holgate Overpass. It’s rained very little since and we’ve had record warm temperatures all summer. No one has come back to spray, plant or do anything. No one’s even picked up the trash. If you compare the four ‘weedscapes’ on the two approaches they are very similar. The NE, by volume has had the most regrowth. This is for two different reasons: first, this site was cut earlier in the season when there was more moisture still in the soil to enable regrowth, and secondly, because the site is dominated by Blackberry and Tree of Heaven, both perennials, well established and of larger stature than the plants dominating the other approach landscapes. Continue reading
Portland Parks: horticultural profiles series
I’m almost a little embarrassed to post this article…. Most of my earlier project were much smaller, more like bandaids. This is the first Park I went through more systematically assessing, horticulturally, and trying to correct landscape ‘problems’ with entirely different plantings. We generally weren’t expected to do more than little fixes and bandaids. Larger issues were considered beyond our scope and should be addressed by our Planning Division, with master plans and all of that. The Bureau was, however, neither staffed nor funded to do master plans which is a laborious and time consuming process. They were few and far between. So, as I said, this was my first go at it, though I don’t claim to have created a master plan in the process. My time was even more limited. Continue reading
Overall, mine is a sunny warm garden. Like any landscape or garden it is defined or described by its: place, design and plant choices. Where these three all come together, you have a garden. Each one presents itself as, what some might view, a daunting array of options or possibilities.
What exactly do I include under ‘place’? Certainly climate, exposure, aspect, slope, soils and the ‘history’ of gardening and ‘disturbance’ on the site. It also includes the larger surrounding landscape, the context within which it is located and the physical ‘features’ built and natural with which it will be a part. The story of a place is important. Place, is the major limiting factor in a garden. Gardens are also defined by the choices we make. Each choice precludes others. In a very real sense gardening is a process of limitation. ‘If this then not that’. What we need to be aware of is that these, design and plant choices, these limitations, can either work together or compound each other when not made with awareness. When design and/or plant choices ignore place, the gardener must overcome all of the ‘conflicts’ this choice has put in to play, or face ‘failure’.
Part of the Over Thinking Series
We, all of us, are part of the urban landscape. The lack of connection, understanding of and regular involvement with our landscape, a condition which has become pervasive in modern society, sometimes referred to as NDD, or Nature Deficit Disorder, has brought us to the rather precarious place we are today, with the rapidly declining state of our landscapes and a general ignorance amongst the public and our leaders of the severity of the problem and our responsibility to correct it. We are locked into an old strategy that views landscape as incidental, the natural world as backdrop and not central to our own well-being. As long as it meets a narrow idea of our needs, a modern minimalist aesthetic and does not over tax our ‘pocketbook’, we have been okay with it. From a horticultural viewpoint this is becoming an increasingly deteriorating disaster, something that not only we can do something about, but one that it is imperative that we do so. Adaptive Management is a positive and workable strategy we can adopt that will begin to turn this situation around. Continue reading